Our Mother

Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.

Fatima a mother of seven children, loses her memory at 1983, for thirty years, when she regains her memory she finds out that she don't know her children's whereabouts she sets out to find them with all her power willing to be reunited with them once again and this time forever.

When Lori Vallow's kids vanished, the search for them unearthed a trail of suspicious deaths, a new husband who shared her doomsday views — and murder.

Diana Parker learns that a home intruder is none other than her biological daughter, given up for adoption years ago. However, they soon discover that a remorseless killer will do anything to stop the family reunion including murder.

Seven British children bury their mother and hide her death, until their long-lost father returns.

Maria José Novais Oliveira, a black woman, resident on the outskirts of Contagem, already in her 60s, has become a film actress, with an award-winning career in Brazil and internationally. This documentary recalls the image of a unique woman who marked Brazilian cinema in the 2010s.

Samira, the youngest of five sisters, calls her family together, camera in hand, for a rare meeting: “to help each other without having to go through a shrink or an imam”. Her mother remains silent. It’s not until she arrives in her native village that she reveals her secrets, her regrets and her strength – and that the profound bond and legacy that unite them, between love and rejection, begins to reveal itself.

Guatemala, 2018. The country is riveted on the trial of the military officers who started the civil war. The victims’ testimonials keep pouring in. Ernesto, a young anthropologist at the Forensic Foundation, identifies people who have gone missing. One day, through an old lady’s story, Ernesto thinks he has found a lead that will allow him to find his father, a guerillero who disappeared during the war.

If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.

A fresh and revealing insight into Princess Diana through the personal and intimate reflections of her two sons and her friends and family.

The film, shot in 1979, but allowed to be shown only 10 years later, talks about the traditional hero of Soviet propaganda. It consists of two parallel plots. The first is the classic "newsreel" about the hero of labor, a noble weaver Golubeva. Golubev at the machines, Golubev on the podium. The second line of the film is the life of the Golubeva family. More precisely, the life of her husband and son. Mom is not at home.

The film, shot in 1979, but allowed to be shown only 10 years later, talks about the traditional hero of Soviet propaganda. It consists of two parallel plots. The first is the classic "newsreel" about the hero of labor, a noble weaver Golubeva. Golubev at the machines, Golubev on the podium. The second line of the film is the life of the Golubeva family. More precisely, the life of her husband and son. Mom is not at home.

Fact-based true crime story about the murder of publishing heiress Anne Scripps Douglas who, in 1989, married a young hunk who eventually killed her.

In the remote mountains of Southwestern New Mexico that has long been a ranching country, only a handful of men still know the old cowboy ways. Our Mother the Mountain is a documentary poem told entirely in the voices of three old cowboys who eked out a hardscrabble existence in rough terrain. This is an elegy before they will disappear, a story of solitude, loss, and rugged beauty.

A tribute to The cow that plays like a dairyman’s dream come true. This documentary stresses the importance of milk to the human race by depicting a Guernsey herd at its dairy home and shows the care necessary to produce pure milk.

Planetary events and a blood red landscape blend with ethereal sounds as text leaves clues about difficulties with the mind and body.

"I live inside a box, but one day I will live outside the box" Most people keep their trauma locked up inside but for Emily, opening her "n=box of trauma" and confronting a painful past is the only chance to break free. The film takes place entirely within a red box.

When a family matriarch falls seriously ill, relatives gather and discover their shared ancestral ties bind them in unexpected ways.

A son returns home to come out to his father, but finds that his father's inability to accept his mother's death has led him down a conspiratorial path for answers.

Nadija, a twenty-year old hairdresser, meets Njegos, a member of the car-stealing ring, is visiting her aunt Spasa, a bar owner. This short encounter prompts Nadija to think about her family situation, leaving her a desire to change life.